![]() Six birdies and just one dropped shot helped him post a rare round in the mid-60s at Woo Jeong Hills - a ball-strikers course with limited room for error where the winning total last year was just four under for four days. Remarkably, Han was also joint first-round leader last year following a 68 before finishing in tie for 42nd after a disappointing Sunday score which was 10 shots worse than his opening day effort. South African Ian Snyman fired a 68, while Koreans Kim Min-Kyu, the defending champion, Hur In-Hoi, Ham Jeong-Woo and Park Sung-Joon plus India's Chikkarangappa S and Taiwan's Lee Chieh-po returned 69s. It's not the most pleasant or relaxing six hours of television, but definitely worth sitting through until the end.Cheonan: Korean-American Han Seung-Su took route 66 on the opening day of the Korea Open yesterday - impressively taking the lead on five under at the notoriously challenging Woo Jeong Hills Country Club in Cheonan, south of Seoul. She also manages to make her character undergo a stupendous metamorphosis. She's in practically every important Belgian series of recent years, and she gives a fantastic performance here. Lead actress Natali Broods has built up an impressive career lately. Even the supportive cast is filled with familiar and talented local actors and actresses, and everyone delivers. For Flemish standards, "Déjà-Vu" has a stellar cast. And perhaps the ultimate lesson remains that you can't just mess around with the higher powers of life and death. Some turn out positive for her and her family, whereas others ruin her career and ideologies. Flo must make many sacrifices to save Cato. ![]() The climax also marvelously suggests that resolving/preventing one trauma comes with a big price. I interpret this as a message that subjects like mental health and tendency towards depression are far more complicated than everyone thinks, and that the root causes cannot be found easily. The mother, Flo, painfully learns that she must travel back much further in time than she initially thought to rescue her daughter Cato. Halfway through the series, "Déjà-Vu" genuinely turns into a relevant drama with - according to me, at least - a couple of valuable and thought-provoking life-lessons. For whatever reason, we picked it up again a few months later and I'm glad we did. ) and unlikeable characters didn't seem worth the effort of enduring four more episodes. ![]() My mind could easily handle the suspension of disbelief regarding the unexplained time-traveling, but the overuse of dumb clichés (abusive boyfriends, #MeToo situations. After two episodes, my wife and I stopped watching. When the girl does take her own life, the grieving mother stumbles upon a dubious company - named "Reset" - that offers its customers to travel back in time and prevent life-altering events from happening. It felt like another derivative story about a struggling family, complete with divorced parents, a fanatically feminist mother, and a rebellious teenager daughter with suicidal thoughts. The start of the series exactly lived up to its title, and that's obviously not a good thing. ) can easily compete with prestigious international series. Of course, not all series are great ("Over Water", for instance, was horrible) but many others ("Undercover", "The Day", "Thieves of the Woods", "Tabula Rasa". It's incredible how many solid and worthwhile TV-series from my own native country of Flanders I have watched and reviewed in the past 10-12 years! I remember a time, before that, when the television offering was truly miserable, but since the number of commercial channels has increased so has the amount of qualitative output.
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